Buy The Art of Buster Keaton At Amazon!
November 30, 2009
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Buy The Art of Buster Keaton At Amazon!.
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I had only seen a handful of Buster Keaton’s films before deciding to grasp the topple and engage the sizable “Art Of Buster Keaton” DVD box dwelling. I’m happy I threw the dice and ordered this. Here is mute filmmaking at its finest, with enormous attention to detail given to both short and feature films. The films are kindly and, although some of them are showing their age, I examine these are the best prints possible. You can’t ask for anything more.
This is a large collection of films (11 features and 19 shorts), so reviewing individual items is not going to be beneficiary. These discs have also been released individually, and I’ve already written many words on each of them. But in general terms, I did accumulate that I preferred his short films to his longer works. The feature films don’t quite have the frantic slump to them that made the shorter films so memorable and luscious. Of course, comparisons to his short movies a itsy-bitsy unfair, as those shorts are rightly praised as some of the funniest sequences ever filmed. But there are some astonishing moments in his features as well as some strong movies.
But those shorts. Wow. Here are some of the most memorable movie scenes I have ever viewed. Once seen, who can forget the literally hundreds of excited police officers chasing Keaton in COPS, or the prisoner bungee jumping from the ruin of a noose in CONVICT 13, or the DIY house being demolished by a squawk in ONE WEEK? These films are fast-paced, surreal, bizarre and hilarious. I loved them to pieces.
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Prop comedy is something that is now horrifyingly associated with such painfully annoying clowns as Carrot Top (Lord relieve us) . But in the slapstick era, this was something that was not only droll, it could be downright diabolical. I can only imagine how long it must have taken to make the trap doors and fraudulent walls and other goodies that cropped up again and again. Clever, inventive and strangely sophisticated, these physical implements, when combined with Keaton’s formidable athletic abilities, produced some astonishing and breathtaking scenes.
One of the things I would wonder to myself was not simply “How on Earth did Keaton do that stunt? “, but “How on Earth did Keaton survive that stunt? ” His accomplishments are made all the more impressive given that he was performing all of these aerobatics himself with petite in the diagram of trick photography (decades later, Jackie Chan would work in worthy the same design to similar acclaim) .
The major bonus in this station is the final DVD, KEATON PLUS, which contains all sorts of rarities and extras. While the films here expose Keaton in the 1920s, these extras focus on Keaton later in his career. It’s somewhat dark to witness the tall man reduced to doing cheesy commercials, but he’s always at least watchable. A few short excerpts from his 1950s TV series are included, and while it’s fun to stare that he could unexcited acquire a pratfall thirty years on, I suspect that the thrust slow his return was the opportunity to create out with the incredibly tremendous and resplendent model who appeared in virtually every clip. Lucky customary Buster; though after being teamed up with Jimmy Durante, that’s the least that karma owed him.
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I noticed that some reviewers have had negative things to say about the musical selections extinct as the soundtrack to these peaceful pictures. My experience was quite different, as overall I enjoyed the music and was only occasionally annoyed by it. On the other hand, you may wish to hold what I say with a grain of salt, as I concept the James Bond musical riff in SHERLOCK, JR. was absolutely extraordinary.
This was a huge pick, and during the perusal of this residence, I felt I was not only seeing some gargantuan filmmaking, but a sincere splice of cinema history. It’s really a shame that Keaton’s career went down the tubes after the 1920s, as I felt his features were gradually improving as he gained more experience. His shorts (from the early piece of the decade) were uniformly top-notch, but I got the impression that he was gaining more useful experience in feature-length movies and developing as filmmaker. It may be a bit depressing to know what happened after signing to MGM, but at least here we can be pleased the wonderful times while they lasted. And they certainly were obliging times and broad films.
Before anything else, I agree with those who say that Keaton’s shorts are all good; but I strongly disagree with those who say that they are better than his better features. What usually happens with comedy is that people sit down before the cloak and impartial say: OK, create me laugh. Keaton’s features are humorous -but they are also, and more considerable, beautifully shot, superbly acted and perfectly structured -which is something only the best actors/directors can establish all together. There are no cheap sets like in most movies of the 20’s. Keaton’s characters depart in the valid world, with actual things, and that’s piece of what makes them lasting and recent.
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In your shelves, Keaton shouldn’t fragment his residence with the Marx Brothers, but with Orson Welles (who called The General the best movie ever made about the Civil War) and Martin Scorsese (who said he watched over and over the final fight in Battling Butter -which, by the map, is not supposed to obtain you laugh, but to surprise you with it’s realism)
Now, this are the complete contents of this DVD status. Aside from it, you should check out The Buster Keaton Collection, which includes THE CAMERAMAN, SPITE MARRIAGE and FREE AND EASY – and then you are done. Well, you could also read the only book he wrote -My Incredible World of Slapstick. (June ‘06 Update: “Industrial Strength Keaton”(DVD) unbiased came out. The space includes rare industrial films, promotional films, commercials, TV appearances and outtakes.)
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The Saphead: 1920
Includes the shorts ONE WEEK (1920) and THE HIGH Notice (1920)
The Three Ages
Year: 1923
Including THE GOAT (1921) and MY WIFE’S RELATION (1922) .
Our Hospitality / Sherlock, Jr.
Year: 1923/1924
The Navigator
Year: 1924
Includes shorts The Boat (1921) and The Cherish Nest (1923) .
Go West
Year: 1925
Includes THE SCARECROW (1920) and THE PALEFACE (1921) .
Seven Chances
Year: 1925
Shorts: Neighbors (1920) & The Balloonatic (1923)
Battling Butler
Year: 1926
Includes THE Shocked HOUSE (1921) and FROZEN NORTH (1922) .
The General
Year: 1926
shorts: The Playhouse (1921) and Cops (1922)
College
Year: 1927
Includes THE ELECTRIC HOUSE (1922), HARD LUCK (in this version the ending is missing; but the complete version is found in the disc called Keaton Plus) (1921) and THE BLACKSMITH (1922) .
Steamboat Bill, Jr.
Year: 1928
shorts: Convict 13 (1920) and Daydreams (1922)
Keaton Plus
Year: 1920-2001
Color home movies, complete short HARD LUCK, two Shorts from the 30’s, commercials, TV shows and appearances. But best of all, Orson Welles talking about Keaton and The General.
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Buy The Grateful Dead: The End of the Road – The Final Tour ‘95 At Amazon!.
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The summer tour that this film captures was filled with many problems. I saw shows during this tour and unfortunately, there were scandalous elements that I witnessed that had encroached into the community that followed the Grateful Uninteresting. I commend the filmmaker for showing an objective perspective without sanitizing the negatives. I appreciated that the film also avoided sensationalizing events such as when unruly fans crashed through the fence at Deer Creek Amphitheatre. This could have been easily exploited with a drawn out examination for dramatic enact but instead it lasted less than two minutes. In the next scene, the film presents a very absorbing sequence where older Deadheads pick accountability for not properly educating the current generation of fans. The determination of those interviewed to confront the problems on tour was very uplifting. Tragically, their vision was never realized as life following the Grateful Wearisome ended with Jerry’s untimely death. Without a doubt, the closing scenes of fans gathered to celebrate Jerry’s life makes this film worth purchasing. I highly recommend this film not only for Deadheads but more importantly for younger fans who have adopted the nomadic lifestyle of following the next generation of bands. There are lessons in this film to be learned, gathered and passed on.
The final tour of the Grateful Boring was fated in many ways. It was a black tour that forshadowed The Waste. This documentary accurately captures that mood of the final tour. There were some stout moments, but overall, it was very dark because it focuses on probably the most negative period of the Dead’s 30 year budge. The movie left me downhearted. Personally, I’m ecstatic I saw it but would rather employ my time watching some of the better moments of the Dumb, like the modern Grateful Dumb Movie DVD that has some extraordinary bonus song footage. Many of us like to celebrate the Tedious and the final tour does not have remarkable for us to celebrate. On the other hand, it accurately follows what has become history and there are many expansive moments. My popular allotment was the bonus footage of the Jerry Garcia Memorial Service. That, alone, makes this a great choose for a Deadhead. But if you are unusual with the Grateful Wearisome, this is not a splendid set to inaugurate.
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Buy Hoodwinked Online.
November 28, 2009
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Buy Hoodwinked Online..
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Was the Wolf framed? Is there more to Red-Riding Hood than her enthusiastic deductive ability and her hood? “HOODWINKED” asks these questions in a film more family profitable than SHREK. Clear, comparison to the SHREK films in unavoidable when twisting fairy tales. But Hoodwinked has it’s acquire style, although it is a less slick style than Pixar or Dreamworks. Fair with more quirky songs and more awkward charm.
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HOODWINKED,is a FRACTURED FAIRY Legend in the spirit of Jon Scieszka’s The Legal Myth of the Three Microscopic Pigs. The movieopens like a former telling of Red-Riding Hood,with “Red” voiced by Anne Hathaway taking goodies to Granny, voiced by Glenn Cessation, she finds the wolf, a woodsman (Jim Belushi) leaps in with an ax…..then the police reach. The best Of these retellings are by the Wolf, voiced by Patrick Warburton, and Granny. The Wolf reveals that he is an undercover reporter who not only dresses like Chevy Chase’s Fletch, but he shares Fletch’s disguise kit and soundtrack. Warburton plays the Wolf perfectly in every scene. Granny’s retaling parodies “XXX” in her taste for rude sports is revealed. Other famous voices and cameos by Andy Dick, David Ogden Stiers and Xzbit.
The film is loaded with tall one-liners, pop references and gags that will appeal to all-ages.
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not the usual tired fare that unfortunately makes up most children’s movies (even disney these days)
this is a shapely clever rewrite of shrimp red riding hood with all sorts of zany characters and twists on the unique. it’s laughable, fast-paced and amazingly no violence, sex or profanity. Obedient job!
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Buy Lost Horizon Blu-Ray at Amazon.
November 27, 2009
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Buy Lost Horizon Blu-Ray at Amazon..
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I have loved this film and the James Hilton fresh upon which it is based since I was a child. “Lost Horizon” is one of the truly astronomical moviegoing experiences. I mediate we all want to absorb in Shangri-La, a paradise which brings out the best in mortals, offering a chance of redemption.
The film has a substantial cast: Ronald Colman (what a declare!), glowing Jane Wyatt, Thomas Mitchell, H.B. Warner, Edward Everett Horton, Sam Jaffe and the almost forgotten (but very pleasant) Isabel Jewell – she also appeared with Colman in “A Story of Two Cities.”
The area compose has to be seen to be truly appreciated. Shangri-La is a prime example of Art Deco at it’s most handsome.
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The film, as it exists today, is a bit like Frankenstein’s monster, stitched together from a wide variety of sources, some of them in better condition than others. The narrative of the quarter-century restoration of the film is a exciting example of the dedication to contemplate a project through to it’s completion.
The only complaint I have about the film, and it’s a minor one, is about the number of expository sequences in the film. It seems that one character or another is always talking about what has gone on or what is going on. H.B. Warner’s character, in particular, seems to exist for the most fraction to elaborate the backstory of Shangri-La. But that’s, as I said, a minor complaint. This is a profitable motion recount.
LOST HORIZON is a very special and very philosophical movie based on the James Hilton new. The movie makes a few changes from the book, but in many ways the film actually improves on the modern, not the least of which is having the grand Ronald Colman flesh out the portion of Robert Conway. It’s not Colman’s most memorable performance (eye Sage OF TWO CITIES for that) but he wears the portion like a comfortable suit. Supporting him are some other mammoth players like Edward Everett Horton, Thomas Mitchell, Sam Jaffe and Isabel Jewell to name a few. What would YOUR reaction be when you sight that the commandeered airplane that took you to a mysterious, shapely land in the middle of the frigid Himalayas was not an accident, but a notion? The lost world of Shangri-La is something different to everyone, and it’s not always a land of bliss and happiness as you’ll look. The film itself has gone through many difficult years, and the painstaking reconstruction (sometimes down to composed frames with audio) receives a attractive presentation on DVD. It’s the restoration and the extras that do the disc worth viewing. A brief portion shows how some frames were restored, and we accept to look some rare pristine footage of the funeral procession. A great feature commentary and documentary are also included. Overall, then, it’s a dazzling film and a pretty DVD supplying stunning extras. What’s not shapely? Well, it’s only gorgeous to comment on the extremely variable quality of the image (as I said, it’s a combination of several decent prints, some 16mm prints and the occasional still-frame portion) . That’s not the fault of Columbia, as it is most likely the best they could do. But upon comparison to my VHS tape of the restored film, I was surprised to explore that the quality is only *slightly* better, not dramatically better. That’s why I say in all fairness that it’s really the extras that design it worthwhile, but that’s coming from someone who already had a video copy of the restored film in his collection. If you’ve never seen the film, I recommend it unreservedly.
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Lowest Price on Up at Amazon.
November 25, 2009
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Lowest Price on Up at Amazon..
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Here’s a movie for dog lovers, the elderly, children of divorce, FOBs (Friends of Birds), old-fashioned Boy Scouts, people yearning for adventure, and anyone who has ever loved… and lost. Up is for everyone. It made me laugh out loud, and it made me yell.
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I understanding it would be tough for Up to match the emotional power of Wall-E. The two Pixar films are similar in their lack of dialogue in the first act, which helps deepen the emotional impact. Up begins with Carl, a frightened young boy star-struck by a celebrated explorer; and kookie Ellie, who has a similar obsession. The two kids become quick friends, and affirm to one day go to Venezuela’s Paradise Falls. After getting married, they bewitch their dream home and fix it up, hoping to gain it with children. Carl and Ellie’s life together from childhood through dilapidated age is depicted, silently, with delicacy and subtlety. The first 15 minutes is like a celebration of a delighted marriage, and you truly feel Carl’s hurt when he is left alone. He sits slumped in his chair, talking to the house as if it is the missing Ellie.
When developers conclude in on Carl’s beloved home, he decides to fulfill his promise to Ellie and depart to Paradise Falls. A passe balloon vendor, Carl lifts his home with hundreds of vivid balloons. Stowing away on the porch is Russell, a full, intrepid kid trying to bag a scouting badge.
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After landing in Paradise Falls, the passe man and the exiguous boy are joined by a golden retriever named Dug who can talk with his collar, and a vast rare bird that bonds with Russell (he names her “Kevin”) . Dug is priceless: spot-on for every dog that ever lived, including an obsession with squirrels. Through a series of finish calls and adventures, the quartet vanquishes a villain, saving the day. And Russell earns his scouting badge.
In the process, Carl learns to let go of his black mourning for Ellie, and live life again. When this happens, a truly magical thing happens. Before, Carl’s craggy face is gray and monochromatic. At the moment of his transformation, Carl’s face is awash in color, and he is surrounded by resplendent hues. It reminded me of The Wizard of Oz, when Dorothy steps out of her gray world and into a candy-colored Munchkinland. Carl, too, enters a whole unusual world.
Up is a deeply emotional film, chunky of truth. It’s the year’s best film. Gain another triumph for Pixar.
Someday, Pixar is going to do it — they’re going to build an emotionally uninspiring, lackluster attractive movie. But in the meantime, they’re unexcited putting out exquisite intriguing movies like “Up,” which defies the usual kid-movie conventions by starring a crotchety frail man. It’s a charming, fun small adventure myth with flying dogs and balloon-powered houses, but underlying it is a bittersweet shrimp tale about loss and esteem.
As a child, the disturbed Carl Fredricksen bonded with the oddball Ellie over their shared care for of adventure, the explorer Charles Muntz, and Paradise Falls. They later married, depart into their “clubhouse” together, and lived a long, sadly childless life together. When Ellie died, she had never fulfilled her dream of going to Paradise Falls.
Now crotchety, alone and harassed by a precise estate developer, Carl (Ed Asner) is finally ordered to a retirement home. But he isn’t going quietly — instead he attaches thousands of balloons to his house and floats it away toward South America. But he accidentally takes an involved, naive Wilderness Explorer (a thinly-veiled Boy Scout) named Russell (Jordan Nagai) along for the sprint. Abominable kid was objective trying to score an “assisting the elderly” badge.
And the jungle trudge to Paradise Falls turns out to have some surprising obstacles: a enormous emulike bird that Russell names Kevin, a talking dog named Dug (“I am jumping on you, bird!”), and a mysterious veteran man who lives deep in the heart of the jungle. Turns out the former guy is very familiar to Carl — and to pick Kevin, he’s willing to sacrifice Carl and Russell.
Industry experts were babbling about how “Up” wouldn’t be as well-liked as the previous Pixar movies, because the protagonist is basically a crusty ragged coot. Well, shows what they know. It ended up becoming one of those classic movies that somehow appeals to all ages — while the humor and action appeal to children, adults can indulge in Carl’s savor for his lost wife, and his tiring, realization that he’s clinging to the past.
In fact, the first ten minutes are some of the most heart-tugging, quietly bittersweet scenes I’ve seen in a long time. Without a word, they indicate all the ups and downs of a realistic marriage — joys, sorrows (Ellie’s inability to have children), growing stale together, and finally loss.
But it’s not a depressing movie by any stretch — in fact, it’s like a childhood fantasy arrive to life, complete with a floating house suspended on hundreds of balloons, and biplanes piloted by a talking dog army.. Plenty of substantial dialogue (“Do you want to play a game? It’s called Glance Who Can Go the Longest Without Saying Anything.” “Frosty! My mom loves that game!”) and an action-packed climax in an mature airship.
Ed Asner is absolutely perfect as ubergrouch Carl — crotchety, grumpy, and obvious to fulfill his wife’s lifelong dream, but gradually realizing he’s clinging to the past. Nagai is equally perfect as Carl’s polar opposite: a naive, chattery Scout who is positive to reunite Kevin with her baby chicks. And the utterly adorable Dug and the other dogs deserve special examine. These creatures are utterly hilarious — they talk (“I hid under your porch because I admire you”) and act the diagram dogs would if they talked. Three words: cone of shame.
The two-disc edition is going to have some very nice extras, but once again people with regular-def DVDs are going to rep shafted because the Blu-ray edition will have a bunch of irregular stuff. Grr. As for this one, there’s a digital copy, the director’s audio commentary, kinda-alternate-ending “The Many Endings of Muntz,” and the documentary “Adventure Is Out There” about the research for this movie.
There are also a pair of adorable curious shorts. “Partly Cloudy” has a much-abused stork having to convey potentially bad baby creatures from a kind but clueless cloud. And “Dug’s Special Mission” is a sort of backstory for the adorable Dug, explaining what the heck he was doing before he met up with Carl and Russell.
“Up” continues Pixar’s running tally of gloriously arresting, emotionally layered movies that the entire family can savor. With that, I have only one more thing to say… SQUIRREL!
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