Buy Gone with the Wind DVD at Amazon.
December 19, 2009
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Buy Gone with the Wind DVD at Amazon..
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It seems like a ‘new, improved’ edition of “Gone With the Wind” has appeared every couple of years, offering the ‘ultimate’ in characterize and sound reproduction, and extras. It can become expensive keeping up, and frustrating (remarkable like buying a classic Disney DVD, when you know a more complete “Special Edition” will soon render your “First Time on Video” copy aged), but the unique GWTW Four-Disc Collector’s Edition most assuredly deserves a set in your collection.
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First off, the report and sound quality is unbelievable. Warner’s Ultra-Resolution process, which ‘locks’ the three Technicolor strips into dependable alignment, provides a clarity and ‘crispness’ to the images that even the 1939 recent print couldn’t accomplish. You’ll honestly contain your TV is picking up HD, whether you’re HD-ready, or not! This carries over to the Dolby Digital-remastered sound, as well. All of the tell-tale instruct and scratchiness of the opening credit title music, quiet discernable in the last upgrade, is gone, replaced by a richness of tone that will give your home theater a capable workout. (Listen to the brass in this sequence, and you’ll peer what I’m talking about…)
The biggest selling point of this edition is, of course, the two discs of additional features offered, and these are, in general, apt. Beginning with the honorable “Making of a Tale” (narrated by Christopher Plummer), Disc Three offers exciting overviews about the film, the fantastic restoration, footage from the 1939 Premiere (and the bittersweet 1961 Civil War Centennial reunion of Selznick, Leigh, and de Havilland), glimpses of Gable and Leigh with dubbed voices for the foreign-language versions, the international Prologue (tacked on to define the Civil War to foreign audiences), and a 1940 MGM documentary on the “Extinct South” (directed by Fred Zinneman) memorable today for it’s simplistic belief of the time, and stereotypical portrayal of blacks.
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Disc Four is a mixed bag; the long-awaited reminiscences of Olivia de Havilland are more chatty than informative (with the 90-year-old actress more involved in discussing her wardrobe than on-set tension…although a prank she pulled on Gable is droll), and the Clark Gable Profile is superficial (A&E’s biography of ‘The King’ is far valid) . Things improve, however, with the insightful, sympathetic TCM biography of Vivien Leigh (hosted by Jessica Lange), and a Astounding allotment devoted to brief bios of many of the GWTW supporting cast, narrated, again, by Christopher Plummer (although I wish the filmmakers would have included bios for Ward Bond, Victor Jory, Fred Crane, and George ‘Superman’ Reeves) .
All in all, the GWTW Four-Disc Collector’s Edition isn’t perfect, but offers so distinguished terrific material that it is CERTAINLY the one to bear!
I passe to deem that this Hollywood classic was for everyone. However, after reading nearly 300 reviews of the film, I consider that isn’t apt anymore. This movie is NOT for you IF 1) you reflect a movie must be as historically lawful as a history book, 2) you mediate a 1939 movie should judge the values of the 21st century, 3) your attention span is so short that you must only eye movies from 90-120 minutes in length, 4) you can only gather politically factual films, particularly in terms of racial issues, 5) you are so Monotonous as to mediate widescreen movies were made before the 1950s (although to be heavenly, Selznik originally intended to exhaust a special widescreen process for the so-called “burning of Atlanta” sequence but gave up on the expensive belief), 6) you can only glean computerized special effects as they appear in recent films, or 7) your opinion of broad acting is to be found in slasher or teen films being made these days.
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GWTW is NOT a documentary on the Civil War period. It is NOT a history of slavery in America. It is NOT a fable of perfect people behaving perfectly at all times.
It IS an adaptation of a unusual written by a Southern woman who, as a child, sat and listened to the stories the frail Confederate veterans told about the primitive days before, during, and after THE war. It IS a cherish narrative, probably about the novelist’s grandmother, which reflects the attitudes left over from that long-ago time.
To criticize this film for so many unrelated issues is droll. It stands on its merits as a masterful film that tells of bittersweet adore and lost fantasy. That it succeeds so well is a tribute to the actors and filmmakers of over sixty years ago.
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